What are the responsibilities and job description for the S.I.M.P.S. - NYC EPA (11.02.26) position at Self Improvement Male Preservation Society LLC | New York, NY?
DESCRIPTION
Notice: Audition Call Type: EPA
AUDITION DATE
Monday, November 2, 2026
10:00 AM - 6:00 PM (E)
Lunch 1:00 PM - 2:00 PM
CONTRACT
Off Broadway
$868 weekly minimum (Cat. A)
SEEKING
Equity actors for roles in S.I.M.P.S. (See breakdown).
All Equity stage managerial positions have been filled.
PREPARATION
Please prepare a short vocal cut (under 1-minute) of a pop contemporary MT or pop/rock song of your choice, that shows range and vocal timbre, as well as a short comedic monologue (under 1-minute). Please bring a headshot and resume, stapled together.
LOCATION
Open Jar Studios
1601 Broadway
11th floor main entrance
New York, NY 10019
Holding room - Studio 11M
PERSONNEL
Producer: Jeremy Landes
Director: Shannon Molly Flynn
Writer: Hamish Marissen-Clark
Composer: Alec Steinhorn
Music Supervisor: Chris Gurr
Music Director: Miles Plant
Creative Consultant: Peter Dunn
Casting Director: Peter Dunn
Expected to attend:
Shannon Molly Flynn: Director
OTHER DATES
Rehearsals Begin: Monday, January 4, 2027
Tech Begins: Thursday, January 28, 2027
First Preview: Monday, February 1, 2027
Opening Night: Sunday, February 7, 2027
Closing: Saturday, February 27, 2027
OTHER
Venue/Theater: Theatre at St Clements: 423 W 46th Street
EPA Procedures are in effect for this audition.
An Equity Monitor will be provided.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Breakdown
S.I.M.P.S.
Authentic pop voices with a love of storytelling and comedy.
SEEKING:
KEVIN - 18 to play late teen, any ethnicity. A boy-slash-man who knows he should talk about his feelings, but who also thinks “men’s feelings” is a nauseating topic of conversation. Pursues the principles of feminism in ways his feminist mother finds unacceptable. Apologizes frequently, corrects himself midsentence, lags a beat behind in most conversations. Unsure how to differentiate being heard from being loved. Would do anything for anyone who offered him the latter. Pop baritenor (to a G)
THRASHER MCSHADOWTHORN - late 20s to early 40s; any ethnicity. A former boxer who’s now a wrestler. Strength used to be his pride and joy, but since throwing punches that hospitalized someone, he’s become riddled with questions about how and whether his power should be harnessed. Thrasher breaks first when the group's logic begins fracturing. Pop baritone/bass with a strong ensemble blend and harmony skills.
DOUG - 20s to 30s; any ethnicity. A Bushwick man who spent a decade agreeing with his (now-ex) girlfriend that he’s the reason he’s never had friends. Speaks devastating sentences with the flattest possible voice. Maybe unwittingly, Doug is the one most clearly articulating why this society exists. Pop Baritone/Tenor, with a strong ensemble blend and harmony singing skills.
ALREADY CAST:
THE GOAT - THIS ROLE HAS BEEN CAST. 30 to 40 years old; any ethnicity. A dangerous and hypermasculine figure who, unlike Kevin, has no doubts about his worth. The GOAT’s words are suave, dangerous, and exquisitely built to resonate with miserable boys like Kevin. His warmth lies so close t depravity that it’s often hard to distinguish the two. Hiding some crucial information about the nature of his existence. Strong pop baritone/baritenor.
ROBERT ROSSMAN (THROB ROSS) - THIS ROLE HAS BEEN CAST. 20s to 35 years old; White. A f**kboy-ish artist who recently left Cooper Union’s paint program. Spent his time at Cooper trying to make art that “earnestly expressed his identity,” but after being mocked for saying things like that, he thinks it’s probably better for everyone if he pursues his creativity in private. Pop tenor with a strong ensemble blend and harmony skills.
SERGEANT - THIS ROLE HAS BEEN CAST. 30 to 50 years old; any ethnicity. A soldier who followed his country’s orders, but who came home holding things he doesn't have words for. Follows a robust structure of journaling because his sense of self is so precarious. Unlike Thrasher, he’s confident his actions were shameful, but he’s less confident about how to move forward. Pop Baritone/Tenor, with a strong ensemble blend and harmony singing skills.
SOUND PERSON / KEVIN'S MOM / OTTO - THIS ROLE HAS BEEN CAST. male/nonbinary; 18 to 35 years old; any ethnicity. Pop Countertenor. A feminine boy who, after years of being bullied for his high voice, went quiet and built something to speak for him instead. The purpose of his construction was to make men understand the pain they create, in turn forcing them to hear him––but when Kevin arrives, Otto starts viewing the state of masculinity in a new, more complicated light. Doubles as Kevin's Mom.
Pop Countertenor.
SALARY
Off Broadway $868 weekly minimum (Cat. A)
- NON-UNION