Lyric Stage Co. 2026-27 Season - Boston, MA EPA (05.10.26) & (05.11.26)

DESCRIPTION

Notice: Audition Call Type: EPA

AUDITION DATE

Sunday, May 10, 2026

10:00 AM - 6:00 PM (E)

AND

Monday, May 11, 2026

10:00 AM - 6:00 PM (E)

BREAKS: 1:30PM - 2:30PM

APPOINTMENTS

For Equity members to schedule an appointment, please visit our digital sign up sheet here: https://www.signupgenius.com/g... . Equity members must fill in an email address and phone number, and be prepared on the day of the audition to present their Equity card. You can opt to receive an email confirming your audition time and you will receive an appointment reminder the day before your audition.

CONTRACT

NEAT

$677 weekly minimum (cat. 6)

SEEKING

Equity actors for roles in Lyric Stage Company's 2026-27 Season (see breakdown).

Local Boston actors are encouraged to submit.

All roles are available for inclusive casting, unless otherwise specified. For pre-cast roles, auditioning performers will be considered as possible (emergency) replacements, should any become necessary.

Auditions for youth actors will be held at a later date.

PREPARATION

Audition slots are FIVE (5) minutes long. Each actor has TWO (2) minutes to perform. Actors can prepare one monologue of their choosing or a monologue from any of the plays listed on the breakdown. Please bring a headshot and resume to the audition or email it to Community & Artistic Programs Manager Alexandra Smith at [email protected].

LOCATION

Lyric Stage

140 Clarendon St

Boston, MA 02116-5169

The audition room can accommodate no more than 99 individuals at a time. The holding room can accommodate no more than 100 individuals at a time.

PERSONNEL

See breakdown for production-specific personnel.

EXPECTED TO ATTEND:

Courtney O’Connor, Producing Artistic Director

Alexandra Smith, Community and Artistic Programs Manager

OTHER DATES

Callbacks for individual productions will be announced at a later date. All shows, dates, and information are subject to change.

See breakdown for production-specific dates.

OTHER

Please reach out to [email protected] before making travel accommodations.

Scripts will be available for review at our box office (140 Clarendon Street, 2nd floor) from 12-5pm Wednesdays - Fridays. To arrange a different time, please contact us at [email protected].

An Equity Monitor will not be provided. The producer will run all aspects of this audition.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Breakdown

LYRIC STAGE COMPANY 2026-2027 SEASON

NOTE: BIPOC actors are encouraged to audition. The Lyric Stage Company of Boston shall conduct all auditions/interviews in a manner that continues to promote fair consideration to everyone. The Lyric Stage Company of Boston is an Equal Opportunity Employer, and we ask auditioners to please read the Lyric Stage’s Anti-Racism and Inclusion Plan found here: https://www.lyricstage.com/ant...

We recognize that many characters are written on the binary; we invite gender nonconforming, genderqueer, transgender, and non-binary actors to submit for the roles they most identify with.

ALL MY SONS

By Arthur Miller

Director: Scott Edmiston

First Rehearsal: August 25, 2026

First Performance: September 18, 2026

Closing: October 18, 2026

JOE KELLER - late 50s. Father of Chris, married to Kate. Manufactured planes during WW2, and now works alongside his veteran son Chris. An unofficial mayor of the neighborhood. He knows all, and all know him. Has worked hard for everything he owns, and the safety and security of his family. Capable of masking the grit that earned him his success with the easygoing facade of upper-middle-class suburban life.

KATE KELLER - early 50s. Mother of Chris, married to Joe. Protective, warm, calculating, and loving. Kate will do anything to take care of her own. She has a special talent for doing so, all while maintaining the status quo. Privately, harbors deep pain for her son Larry who went missing overseas during WW2. Clinging to hope. A woman of uncontrolled inspirations and an overwhelming capacity for love, says Miller.

CHRIS KELLER - 32. Son to Joe and Kate. Veteran of WW2, now working with Joe at their factory. Seeking to rebuild his life in the wake of the war, family scandal, and the loss of his brother, Chris is pursuing a relationship with Ann. Loyal, loving, dutiful, devoted. Determined to build a life for himself and Ann. A man capable of immense affection and loyalty.

ANN DEEVER - 26. George's younger sister. Dated Larry, the oldest Keller son who went missing overseas, and now involved with Chris. Working to move past the loss of Larry, Ann has returned home to start her new life with Chris. Honest, strong, grounded, and respectful - but capable of holding her own. Gentle but despite herself capable of holding fast to what she knows.

GEORGE DEEVER - early 30s. Ann's older brother. Lawyer and WW2 veteran. Lives with Ann and their mother in New York. Principled, serious, direct, and a bit lost. Relentlessly pursuing truth in a world of falsehoods and white lies.

DR. JIM BAYLISS- late 30s. The Kellers' neighbor, married to Sue. Served in WW2 alongside Chris and now the neighborhood doctor. Dutiful, charming, works hard to care for the people around him. A wry self-controlled man, an easy talker, but with a wisp of sadness that clings even to his self-effacing humor.

SUE BAYLISS - late 30s. The Kellers' neighbor, married to Jim. Has worked as a nurse for years. Put her husband through medical school. Resents Chris' idealism and its influence on her husband. Family comes first. Direct, observant, smart, and perhaps a bit guarded.

FRANK LUBEY - early 30s. The Kellers' neighbor. Married to Lydia, father of 3. Avoided the draft in WW2, and now interested in astrology to explain how a man's life is determined. Simple, pleasant, kind. Has lived a smaller, protected life compared to other men of his age who fought in WW2. A Pleasant, opinionated man, uncertain of himself, with a tendency toward peevishness when crossed, but always wanting it pleasant and neighborly.

LYDIA LUBEY - late 20s. The Kellers' neighbor. Married to Frank, mother of 3. Dated George prior to the war. In the face of the chaos of WW2, she made a life for herself in her hometown. Content with suburbia, but at times nostalgic for her relationship with George. Good hearted, content, pragmatic, with a slight bent of humor/irony. A suburban young mother who has made difficult choices in her life.

BERT - An eight-year-old boy from the neighborhood. Bert plays a game with Joe in which he is a police officer who can lock up criminals in an imaginary jail in Joe’s basement.

PETER PAN GOES WRONG

By Henry Lewis, Jonathan Sayer & Henry Shields

Director: Paul Melone

First Rehearsal: October 20, 2026

First Performance: November 13, 2026

Closing: December 31, 2026

CHRIS: (MR DARLING and CAPTAIN HOOK in the play) 30s-40s. High status clown. Rigid, uptight, everything really matters. He is the director of the show and this is the biggest day of his life. Everything is riding on this. It is a nerve wracking and exciting night. His pain is evident and every time someone laughs the pain deepens. He has equal amounts of contempt for his fellow actors & the audience watching the play.

TREVOR: 20s-40s. The play’s stage manager. He simply wants to get on with the show. Curmudgeonly and doesn’t care for actors. He is easily distracted and does many things he shouldn’t, including engaging with the audience. When things go really sideways, he is forced to act in the play. He hates acting.

JONATHAN: (PETER PAN in the play) 30s-40s, any ethnicity. A bit bland, but sees himself as a James Bond type. Excited and having fun, but not naïve. He technically has to drive the show. He cares about the play, but not to the same extent as the others. Very physical role.

LUCY: (TOOTLES in the play) 18 to play younger. Robert’s niece in the company. Timid, naïve and vulnerable clown. She suffers from stage fright and is terrified by the whole experience of performing, however finds her voice and confidence at the end.

MAX: (MICHAEL DARLING, MERMAID and the CROCODILE in the play) late 20s to 30s. Inexperienced and naive. Max's ability to connect with the audience despite his inexperience creates a uniquely charming character. RP Accent.

FRANCIS: (NARRATOR and CECCO in the play) M20s-40s. A robust professional who, despite his best efforts, fruitlessly tries to keep the production together.

ANNIE: (MARY DARLING, LISA, CURLY, and TINKER BELL in the play) 20s-40s. After an unexpected taste of the spotlight, Annie is deeply committed to each of her many roles but finds herself biting off more than she can chew.

SANDRA: (WENDY DARLING in the play) 20s-40s. Ambitious, flirtatious with a huge ego. Believing herself the quintessential leading lady, she tries to steal the scene at every turn that leads her to constantly overact.

ROBERT: (NANA, PETER’S SHADOW, and STARKEY in the play) 20s-40s. Robert likes to think he is a leading man, although he may not entirely resemble one. He truly believes that he can act his way out of every predicament. Committed to the play 100%. This is not a parody of bad acting, it's just that Robert is unaware of those around him. Single-minded and bombastic. Auguste clown.

DENNIS: (JOHN DARLING, MERMAID, and MR SMEE in the play). 20s-40s. Wretched, low status and terrified of being in a play. The sole reason he joined the Society was to make friends, but this has back-fired somewhat. Not a good actor at all but imbues everything with a painful truth. Naive clown.

AGATHA CHRISTIE’S THE MIRROR CRACK’D

a new adaptation by Rachel Wagstaff

Director: Ilyse Robbins

First Rehearsal: January 12, 2027

First Performance: February 5, 2027

Closing: February 28, 2027

MISS JANE MARPLE (CAST): 60s. Her name says it all.

CHERRY BAKER: 20s. Miss Marple’s enthusiastic and well-meaning help. London accent.

HEATHER LEIGH: 30s-40s. A lively and enthusiastic fan of Marina Gregg. She is full of energy and somewhat oblivious to the impact of her words.

DOLLY BANTRY: 60s. A friend of Miss Marple and the former owner of Gossington Hall, where the murder occurs, a source of all the local gossip.

MARINA GREGG: 40s-50s. A famous movie star, glamorous yet troubled. She has returned to England after a long career in Hollywood and is at a pivotal point in her life, dealing with personal and emotional struggles. (Spanish accent during filming scene)

ELLA ZIELINSKY: 20s-40s. The efficient personal assistant, sharp and ambitious. Polish accent.

LOLA BREWSTER: 20s. A young film actress, with her own dark past. American accent (English accent during filming scene)

CHIEF INSPECTOR CRADDOCK: 40s. A classic ‘Christie’ police officer, behind the times and workmanlike in his approach.

CYRIL LEIGH: late 30s-40s. Heather’s gentle and rather hen-pecked husband, a small but significant comic role.

JASON RUDD: 50s. Marina Gregg’s devoted husband and film director. He is protective of Marina and is trying to help her through her difficulties while maintaining their public image. American accent.

GIUSEPPE RENZO: 30s-40s. Marina Gregg’s butler, very protective of her. Italian accent.

KING JAMES

By Rajiv Joseph

Director: Benny Sato Ambush

First Rehearsal: February 23, 2027

First Performance: March 19, 2027

Closing: April 11, 2027

SHAWN: early 20s-early 30s, Black. Sharp, passionate, a writer, emotionally intelligent but guarded. Carries quiet power. His relationship to LeBron mirrors his relationship to hope.

MATT: early 20s-early 30s, White. Socially awkward but sincere. Hustling his way through life. Someone who can balance comedy and vulnerability. He loves basketball, but connection is what he’s really after.

TBA

(auditions to be announced/held at a later date.)

SALARY

NEAT $677 weekly minimum (cat. 6)

• UNION
  AEA