The Hairy Ape - NYC EPA (06.19.26), (06.22.26), & (06.23.26)

DESCRIPTION

Notice: Audition Call Type: EPA

AUDITION DATE

Friday, June 19, 2026

9:30 AM - 5:30 PM (E)

AND

Monday, June 22, 2026

9:30 AM - 5:30 PM (E)

Sign-ups will end early due to Juneteenth Holiday.

AND

Tuesday, June 23, 2026

9:30 AM - 5:30 PM (E)

Lunch 1:00 PM - 2:00 PM

CONTRACT

Off Broadway

$988 weekly minimum (Cat. 4) - Paying $1186 weekly

Plus Pension & Health

SEEKING

Equity actors for roles in THE HAIRY APE (See breakdown).

All Equity Stage management positions have been filled.

PREPARATION

Please prepare a short contemporary monologue.

LOCATION

Irish Repertory Theatre

132 W 22nd St

New York, NY 10011-2419

Holding room - 2nd Floor Lobby.

PERSONNEL

Artistic Director: Charlotte Moore

Producing Artistic Director: Ciaran O’Reilly

Written By: Eugene O’Neill

Casting Director: Geoff Josselson

Expected to attend:

Ciaran O’Reilly: Director

OTHER DATES

Rehearsals begin: August 24th, 2026

Performances begin: September 25th, 2026

Closing Performance: November 15th, 2026

OTHER

Performance Venue: Frances Greenburger Mainstage

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Breakdown

THE HAIRY APE

SYNOPSIS: This journey of a dark-souled, brutish ship laborer known as Yank is a riveting story of a common man's search for belonging in a world controlled by the rich and powerful. As head coal stoker on an ocean liner, Yank is in his element: he rules his dark smoky world - he powers the ship - he belongs. But when the beautiful, pale, spoiled daughter of the ship's owner visits the engine room for a thrill, she is at once repulsed and terrified by Yank and what she sees there. Half in love with the unattainable and half blinded by rage, the bewildered Yank blunders violently through Manhattan seeking at once revenge and a place in a society which refuses him.

SEEKING:

ROBERT SMITH “YANK”: Male, 30s-40s. An American with a thick New York dialect. A broad, powerful, raw, primal being; a stoker who works in the engine room of an ocean liner, who takes pride in his work and physical strength. Menacing by times. Has difficulty with thought. After being insulted by Mildred, he begins to question his identity and social position. His ensuing search for belonging leads to frustration, isolation, and ultimately tragedy..

PADDY: Male, 50s-60s. An old weather-beaten wizened Irishman. A life at sea shows in every crevice. Misses the days of sailing ships and manual labor and dislikes the modern industrial world.

LONG: Male, 30s. British, with a cockney accent. A socialist agitator; a politically minded stoker who believes economic inequality and class exploitation are the source of workers' problems.

MILDRED DOUGLAS: Female, 20s. American. A delicate, wealthy young woman who's fear and disgust toward Yank trigger his identity crisis. Curious, but impetuous, aristocratic and spoiled.

MILDRED’S AUNT: Female, 50s. Pompous and proud. A wealthy conservative woman who represents aristocratic values and social prejudice. She disapproves of Mildred's interest in the working class.

SECOND ENGINEER: Male, mid 30s. A husky, handsome man who holds authority and supervises the stokers aboard the ship.

SECRETARY FOR IWW: Male, 40s. Crafty. Cool. Officious. A union official who Yank approaches while searching for a place where he belongs. Suspicious of Yank's intentions and violent behavior, the secretary rejects him and has him removed.

VARIOUS SHIP STOKERS, UNION OFFICIALS, LADIES AND GENTLEMAN: Multiple roles to be cast with various ages. Roles are physically demanding and may require climbing ladders, wielding shovels, and carrying heavy props, etc. Able to change characters at the drop of a hat, literally.

SALARY

Off Broadway $988 weekly minimum (Cat. 4) - Paying $1186 weekly Plus Pension & Health

• UNION
  AEA