Demo

Dallas Theater Center 2026-27 Season - NYC EPA (05.28.26)

Dallas Theater Center | Dallas, TX
Dallas, TX Full Time
POSTED ON 5/27/2026
AVAILABLE BEFORE 5/31/2026

DESCRIPTION

Notice: Audition Call Type: EPA

AUDITION DATE

Thursday, May 28, 2026

9:30 AM - 5:30 PM (E)

Lunch 1:00 PM - 2:00 PM

CONTRACT

LORT Non-Rep

$1213 weekly minimum (LORT B)

$1114 weekly minimum (LORT C)

$889 weekly minimum (LORT D)

SEEKING

Equity actors for roles in Dallas Theater Center's 2026-27 Season (See breakdown).

PREPARATION

Please prepare a brief monologue. If you are unable to attend these in-person auditions, please email your picture and resume to [email protected] . With the Subject Line: New York/LA DTC 26-27 EPA .

LOCATION
Actors' Equity New York Audition Center
165 W 46th St
16th Fl
New York, NY 10036

PERSONNEL
Executive Director: Kevin Moriarty
Enloe/Rose Artistic Director: Jaime Castañeda

Expected to attend:
Casting Director: Daryl Eisenberg, CSA

See breakdown for production specific personnel.

OTHER DATES
See breakdown for production specific dates.

OTHER
Our 2 primary venues are:
The Dee and Charles Wyly Theater
2400 Flora St.
Dallas, Texas 75201
The Kalita Humphreys Theater
3636 Turtle Creek Blvd.
Dallas, Texas 75219

EPA Procedures are in effect for this audition.

An Equity Monitor will be provided.

Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers
to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As
such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with
disabilities, to attend every audition.

Always bring your Equity Membership card to auditions.

Breakdown


Dallas Theater Center 2026-27 Season

MISSION, VISION, AND VALUES:

OUR MISSION: Dallas Theater Center invests in our community by producing plays with resident artists
that reflect and illuminate our diverse experiences, spark collaboration and dialogue, and invite
engagement in everything we do.

OUR VISION: Dallas Theater Center is a vibrant artistic leader that entertains, engages and connects our
diverse community by creating unique experiences. We produce plays in original ways that delight and
inspire a broad and loyal fan base.

OUR VALUES: The following values, which support our mission and vision, will guide our programmatic,
financial, and other choices and will be at the center of our decisions: Artistic Excellence, Operational
Excellence, Financial Health, Collaboration and Inclusion and Effective Utilization of Resources.

EQUITY, DIVERSITY AND INCLUSION STATEMENT - ALL ARE WELCOME! At Dallas Theater Center, we want to be the best place to work and see theater, and to be a positive and
transformational force in Dallas and beyond. We stand-up for equity, diversity, and inclusion across our
company and community. As a leading national theater, we recognize that building an equitable, diverse,
and inclusive environment is central to our relevance and sustainability in the community we serve and
love.

• EQUITY means recognizing that not everyone starts at the same place, addressing inequities in access
and opportunity, and allowing for full and fair participation.

• DIVERSITY means acknowledging and respecting human qualities that are different from our own and
outside the groups we are a part of or with which we are associated. These qualities include but are not
limited to: ethnicity, race, color, country of origin, sex, gender, gender identity or expression, age, sexual
or relationship orientation, family structure, religion, beliefs, political affiliations, experiences and ability
differences.

• INCLUSION means honoring and accepting the gifts, backgrounds, experiences, and wisdom that every
individual brings with them, so that every stakeholder feels valued by Dallas Theater Center. Our
stakeholders are staff, artists, board members, donors, audiences, and community members.

We commit to providing fair treatment, access, opportunity, and advancement and to creating space for
culturally diverse voices to be heard and power to be shared. Together, we are even better.

CASTING NOTE: Dallas Theater Center maintains a resident acting company. When casting productions,
DTC looks first to the Diane and Hal Brierley Resident Acting Company to fill roles. DTC also maintains a
relationship with Meadows School of the Arts at SMU. As part of this relationship DTC often casts
students from these programs in mainstage productions. Additionally, DTC casts actors from the region
and nationally for a variety of roles. Auditions for these roles occur on an as-needed basis throughout
the year.

All dates are subject to change.

REYKJAVIK86
Written by: Gabe McKinley
Director: Jaime Castañeda
Equity Rehearsal begins: Tuesday, August 18, 2026
Dallas Theater Center 2026-27 Season - NYC EPA Page 2 of 7
Designer Run: Wednesday, September 2, 2026
Tech begins: Saturday, September 5, 2026
1st Preview: Friday, September 11, 2026
Opening Night: Wednesday, September 16, 2026
Closing: Sunday, September 27, 2026
VENUE: Potter Rose Performance Hall (LORT B)

SYNOPSIS: Reykjavik86 is a gripping Cold War thriller that brings the 1986 nuclear summit between
Ronald Reagan and Mikhail Gorbachev to life on stage. With the fate of humanity in the balance, two
vastly different leaders search for common ground while wrestling ideology, history and the human cost
of power. Reykjavik86 delves into diplomacy in a divisive world, revealing the enduring impact of choices
made and not made.

ALL ROLES CAST, SEEKING FUTURE REPLACEMENTS:


All characters will double in other roles and be played by an ensemble of nine.

RONALD REAGAN: ALREADY CAST. President of the United States, 69.

NANCY REAGAN: ALREADY CAST. First Lady, 65.

GEORGE P. SHULTZ: ALREADY CAST. US Secretary of State, 56.

DON REGAN: ALREADY CAST. W.H. Chief of Staff, 68.

ADMIRAL POINDEXTER: ALREADY CAST. NSA, 50.

PAUL NITZE: ALREADY CAST. Negotiator, 79.

CASPER WEINBERGER: ALREADY CAST. US Secretary of Defense, 69.

MIKHAIL GORBACHEV: ALREADY CAST. General Secretary of Ussr, 55.

RAISA GORBACHEVA: ALREADY CAST. First Lady, 54.

EDUARD SHEVARDADZE: ALREADY CAST. USSR Foreign Minister, 58.

SERGEY AKHROMEYEV: ALREADY CAST. Negotiator, 63.

VICTOR KARPOV: ALREADY CAST. Diplomat, 63.


ALEXANDER YAKOVLEV: ALREADY CAST. Diplomat, 58.

VICTRO CHEBRIKOV: ALREADY CAST. KGB Chief, 63.

LT. COLONEL PETROV: ALREADY CAST.

RUSSIAN SOLDIER: ALREADY CAST.

TECHNICIAN: ALREADY CAST.

MAGNUS OSKARSOON HOFDI: ALREADY CAST. House caretaker, 50s.

PETER JENNINGS: ALREADY CAST. Journalist, 48.

SAM DONALDSON: ALREADY CAST. Journalist, 53

V.A. PASH: ALREADY CAST. Aide to President, 30s.

PETRA MOROZOV: ALREADY CAST. Aide to Gorbachev, 20s.

THE MONSTERS
Written by: Ngozi Anyanwu
Director: Delicia Turner Sonnenberg
Equity Rehearsal begins: Tuesday, September 15, 2026
Designer Run: Wednesday, September 30, 2026
Tech begins: Saturday, October 3, 2026
1st Preview: Friday, October 9, 2026
Opening Night: Wednesday, October 14, 2026
Closing: Sunday, November 1, 2026
VENUE: Wyly Studio Theatre (LORT D)

SYNOPSIS: Lil is a scrappy young fighter ready to enter the ring. After 16 years, she reconnects with her
brother Big, an accomplished fighter in the local MMA scene. To earn her brother’s respect, Lil must
master her stance, her strikes, and her stubborn streak. But can these two siblings mend their thorny past
and find common ground in the ring they both love? The Monsters is a play with heart, humor and the
fierce love only a sibling can give.

ALL ROLES CAST, SEEKING UNDERSTUDIES AND FUTURE REPLACEMENTS:

LIL: ALREADY CAST. African American Female. 20s.

BIG: ALREADY CAST. African American Male. 30-40.

A CHRISTMAS CAROL
Based on the novel by Charles Dickens
Adapted by Kevin Moriarty
Director Alex Organ
Original Choreography by Joel Ferrell
Music Director: Cody Dry
Youth Cast Orientation: Saturday, October 31, 2026
Equity & Youth Cast Rehearsal begins: Wednesday, November 4, 2026
(Note: Rehearsals Wed – Fri 2 – 8 pm, Sat AND Sun 10 am – 4 pm. Tech 12 – 9 pm)
Designer Run: Wednesday, November 18, 2026
Tech begins: Saturday, November 21, 2026
1st Preview: Friday, November 27, 2026
Opening Night: Wednesday, December 2, 2026
Closing: Sunday, December 27, 2026
VENUE: Wyly Theatre Potter Rose Performance Hall (LORT B) revival

SYNOPSIS: Three spirits have come to visit the miserly Ebenezer Scrooge, and to take him on a fantastic
journey through Christmases past, present, and future. Brimming with joyful songs, magical spirits, and
holiday cheer, this holiday classic embodies a story of joy, redemption, and the spirit of Christmas.

ALL ROLES CAST, SEEKING FUTURE REPLACEMENTS:

SCROOGE: ALREADY CAST. Character is Male, 50 .

LUCY/BELLE: ALREADY CAST. Character is Female, 20s.

MRS. CRATCHIT: ALREADY CAST. Character is Female, 30 .

BOB CRATCHIT: ALREADY CAST. Character is Male, 30 .

MARLEY/OLD JOE: ALREADY CAST. Character is Female, 35-50.

YOUNG MARLEY/LAUNDRESS: ALREADY CAST. Character is Female, 20s.

GHOST OF CHRISTMAS PAST/SISTER: ALREADY CAST. Character is Female, 30-50.

MRS. FEZZIWIG AND OTHERS: ALREADY CAST. Character is Female, 40 .

MR. FEZZIWIG AND OTHERS: ALREADY CAST. Character is Male, 40 .

FRED: ALREADY CAST. Character is Male, 20s.

YOUNG SCROOGE: ALREADY CAST. Character is Male, 20s.

UNDERTAKERS MAN AND OTHERS: ALREADY CAST. Character is Male, 40 . Plays multiple
instruments including guitar, keys, and drums.

TOPPER AND OTHERS: ALREADY CAST. Character is Male, 20-40. Plays multiple instruments including
Guitar, Bass, Keys, Euphonium, and Ukulele.

THE LEHMAN TRILOGY
Written by: Stefano Massini
Adapted by: Ben Power
Director: Lisa Portes
Equity rehearsal begins: Friday, January 8, 2027
Designer Run: Tuesday, January 26, 2027
Tech begins: Friday, January 29, 2027
1st Preview: Friday, February 5, 2027
Opening Night: Wednesday, February 10, 2027
Closing: Sunday, February 21, 2027
VENUE: Kalita Humphreys Theater (LORT C)

SYNOPSIS: The Lehman Trilogy charts the extraordinary rise and fall of a financial empire that shaped
modern American capitalism. Beginning with three immigrant brothers and a small Alabama shop, the
story spans generations, tracing their ascent to Wall Street. Told by just three performers playing over 70
roles, the play explores ambition, legacy, and the human cost of relentless growth. The Lehman Trilogy
culminates in a powerful reflection on risk, trust, and the forces behind a global financial collapse.

ALL ROLES CAST, SEEKING UNDERSTUDIES AND FUTURE REPLACEMENTS:

HENRY LEHMAN: ALREADY CAST. The eldest brother. German Jewish immigrant from Bavaria. 50s.
doubles as Philip Lehman, Pete Peterson, and others.

EMMANUEL LEHMAN: ALREADY CAST. The middle brother, German Jewish immigrant from Bavaria. 30
-40. Doubles as Herbert Lehman, Lewis Glucksman, and others.

MAYER LEHMAN: ALREADY CAST. The younger brother, German Jewish immigrant from Bavaria. 20-
30. Doubles as Bobby Lehman and others.

KILL LOCAL
Book by: Mat Smart
Music and Lyrics by: Liza Anne
Music produced by: Kyle Ryan and Liza Anne
Based on the play by: Mat Smart
Directed by: Jaime Castañeda
Equity Rehearsal begins: Friday, February 26, 2027
Designer Run: Sunday, March 14, 2027
Tech begins: Friday, March 19, 2027
1st Preview: Friday, March 26, 2027
Opening Night: Thursday, April 1, 2027
Closing: Sunday, April 11, 2027
VENUE: Wyly Theatre Potter Rose Performance Hall (LORT B)

SYNOPSIS: Sheila and her sister, Abigail, work for their mother’s small family business. Sheila used to
love her job. Lately, she’s not so sure. But when you’re an assassin, being uninspired means getting
sloppy, and getting sloppy means getting killed. Kill Local is a dark comedy with music about blood ties,
revenge, and how hard it is to get unstuck – especially when your life is dedicated to ending others. With
a score by indie rock singer-songwriter Liza Anne, this world premiere musical blends dark humor with
killer songs.

SEEKING ROLES, UNDERSTUDIES AND FUTURE REPLACEMENTS:

TODD: Early 30s.

SHEILA: Early 30s.

ABI: ALREADY CAST. Late 20s, Sheila’s sister.

GLORIA: ALREADY CAST. 50s or older, Sheila and Abi’s mother.

AMI: ALREADY CAST. 17 years old.

THE MAKING OF A SAINT
Written and Directed by: KJ Sanchez
Equity Rehearsal begins: Thursday, April 29, 2027
Designer Run: Wednesday, May 5, 2027
Tech begins: Friday, May 7, 2027
1st Preview: Friday, May 14, 2027
Opening Night: Wednesday, May 19, 2027
Closing: Sunday, June 6, 2027
VENUE: Wyly Studio Theatre (LORT D)

SYNOPSIS: KJ is searching for something to believe in. Her brother is very spiritual. In fact, he is the
official Petitioner of the Cause for the canonization of a Catholic saint— Sister Blandina Segale, who lived
in the time we call the “Wild West.” Searching for a model for how to live a good life, investigative
documentary writer/performer KJ Sanchez sets out to understand Sister Blandina’s extraordinary story. In
this solo investigative performance based on interviews and research in Rome, KJ invites the audience
into her search–exploring what it means to help others, and how a brother and sister might bridge the
distance between faith and doubt.

ALL ROLES CAST, SEEKING UNDERSTUDIES:

KJ: ALREADY CAST. Latina. 30s and older.


SALARY

LORT Non-Rep $1213 weekly minimum (LORT B) $1114 weekly minimum (LORT C) $889 weekly minimum (LORT D)

  • NON-UNION

Salary.com Estimation for Dallas Theater Center 2026-27 Season - NYC EPA (05.28.26) in Dallas, TX
$68,004 to $88,926
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